HOW TO PLACE YOUR ORDER
How It Works
TV / Film Duration
Under the TV / Film Duration tab you can select how long your film is.
- 5 Minutes
- 10 Minutes
- 15 Minutes
- 30 Minutes
- 45 Minutes
- 60 Minutes
- 90 Minutes
- 120 Minutes
- 150 Minutes
Stem Count
Under the Stem Count tab you can select the amount of stems you will be sending to be mixed.
- 2-10 Stem Mix & Master
- 11-25 Stem Mix & Master
- 26-50 Stem Mix & Master
- 51-100 Stem Mix & Master
- 101-250 Stem Mix & Master
- 251-500 Stem Mix & Master
+ Dolby Atmos Mix & Master
By adding + Dolby Atmos Mix & Master to your order, you will receive back the Dolby Atmos master file which can be used for playback of your film in Dolby Atmos.
+ Mixed Stems
By adding + Mixed Stems to your order, you will receive all stems as they are mixed during the session. This includes mixed buses for dialogue, atmos, sound effects (SFX), and music. The playback of the mixed stems will accurately reflect the finished stereo mix of the film. Having mixed stems provides a valuable backup of your film's mix, ensuring you have all essential elements at your disposal.
WHAT IS TV / FILM MIXING & MASTERING?
Film mixing and mastering are crucial stages in the post-production process of filmmaking, primarily focused on the audio elements of a film. Film mixing, also known as sound mixing or re-recording mixing, is the process of combining and adjusting all the individual audio elements of a film to create a final, balanced soundtrack. This includes dialogue, music, sound effects, and ambient sounds. The goal of film mixing is to ensure that the audio elements work together harmoniously and contribute to the overall storytelling experience. It involves adjusting the levels, panning, and EQ of each sound element to achieve clarity, realism, and emotional impact.
The primary purpose of film mastering is to optimise the audio for the specific requirements of different playback systems and platforms. This includes ensuring that the audio meets industry standards, is properly balanced, and is compatible with the technical specifications of the chosen distribution medium.
SPEAKERS / MONITORS
4x PMC Ci30
4x PMC Ci65
5x PMC Ci140
2x PMC Ci140 Sub
Tantrum Audio Angry Box
CONSOLE
Avid S4 Console
AMPS / CONVERTERS
Avid MTRX Studio
Burl B2 Bomber ADC
Burl B2 Bomber DAC
Ferrofish Pulse 16 DX
Ferrofish Pulse 16
Trinnov MC-Pro Dante 16
Martin Logan MDA16
Martin Logan MDA8
Rupert Neve RNHP
Flock Audio Patch
EQ'S
Wes Audio NG Tube EQ
7x Wes Audio Hyperion
4x Wes Audio Prometheus
Bettermaker Mastering EQ
Bettermaker VSPE
Cranborne Audio Carnaby HE2
Cranborne Audio Carnaby HE2 Legacy
COMPRESSORS
Wes Audio NG Bus Comp
3x Wes Audio Rhea
4x Wes Audio Pandora
2x Wes Audio Mimas
Wes Audio Dione
Bettermaker Bus Compressor
Bettermaker Dathlimiter
OTHER PROCESSING
5x McDSP APB 16
McDSP APB 8
FEATURE FILMS
FILM TRAILERS
WHAT OUR CLIENTS SAY ABOUT US
What sets Audio Animals apart from other companies is our deep understanding of our clients and their needs. We know you want revisions included in the service. We understand the importance of fast, reliable turnaround times. We ensure you only pay for the services you require, without any unnecessary add-ons. Our focus on truly understanding our clients allows us to provide a service tailored specifically to your needs.
Jason Stevens
"Brilliant end result, we are all super happy with how everything turned out. Watching the finished film is like I am experiencing it for the very first time. Top job, thank you!"
David Anthony
"Couldn't be happier with the outcome of my short film. Paul took it from sounding like a budget film into a Hollywood blockbuster. I can't thank you enough for all your help with."
Josh Forshaw
"It's so nice to work with people who care as much as me about my film. I met with Paul to discuss the project in detail and he even attended the premier to celebrate the launch."
TV / FILM MIXING & MASTERING FAQ
What Studio Is TV / Film Mixing & Mastering Performed In?
All TV and film mixing and mastering is performed in Studio B by Paul Ashmore. Studio B has been fitted 9.1.4 Dolby Atmos system including Trinnov optimisation for perfect audio playback.
What Is The Turnaround?
Turnaround time greatly depends on the project and how much is involved. We always recommend leaving at least a month for the entire process to be completed on larger film. Revisions can often take some time depending on the film. If you have a deadline please contact us beforehand to discuss if the deadline is possible.
How Many Revisions Can I Make?
We do not limit the amount of revisions you can make with film and TV projects. We understand after working on various film and TV projects there are often a lot of revisions required by multiple different people and departments within the project. For this reason we don't feel it is helpful to limit the amount of revisions.
Can I Speak With The Engineer Before Placing My Order?
Yes, before we start your project we can discuss anything you may need to talk about, over the phone or via a Zoom call. A full list of contact information can be found here.
Can I Get A Bespoke Quote Or An Independent Film Discount?
Yes, we understand different films have different budgets and that projects need to stick to a certain budget. If you would like to discuss your project and budget please contact us using the contact form here.
How Should I Send My Files?
Your stems can be uploaded safely and securely via our upload form in your account here. Leave any processing you may have active if it is part of the film.
- File Type: Wav
- Bitrate: 16/24/32bit
- Sample Rate: 48kHz - 96kHz
- Headroom: -3db / -6db
It is important to separate stems as much as possible. We advise each actor has their own stem and no audio overlap. A typical small film will break down as follows.
- Atmos (2 Stems)
- Backing Noise
- Foley (3 Stems)
- Sound Effects (3 Stems)
- Music
- Dialogue (10 Stems)
How Far Should I Take The Audio Mixing On My Film?
We advise taking the mix as far as you can so that you have a finished draft of the movie ready to mix.
Should I Send The Finished Film With The Stems?
Yes, we will need the finished film as a reference for where to pan sound and to be able to fit the audio to the mood on the on screen visuals. The film must not be subject to change once mixing has begun.
Can I Put Multiple Different Sounds On One Stems?
Yes, as long as they do not ever overlap with another stem. This allows you to keep the stem count to a minimum.
When Do I Pay For The Service?
Orders / payment must be made before work on your song begins. This ensures our engineers, take the necessary time and care required to return you the very best master.
How Do I Send My Files?
Your mixes can be uploaded safely and securely via our upload form in your account here. Bypass any compression / limiting you may have on your master bus before printing your mix ready for mastering.
- File Type: Wav
- Bitrate: 16/24/32bit
- Sample Rate: 44,1kHz - 96kHz
- Headroom: -3db / -6db
What Will I Receive Back?
Stereo masters are returned in the following formats, if you require any others, please let us know:
- 96kHz 24bit wav
- 48kHz 24bit wav
Dolby Atmos masters are returned in the following formats:
- 48kHz 24bit wav ADM
- 96kHz 24bit wav ADM
- 96kHz 24bit wav binaural mix
- 96kHz 24bit wav re-renders
- 768kbs mp4
Can I Credit Audio Animals For The Mastering?
Yes, if you would like to credit Audio Animals for the mastering of your music you can do so. Please credit Audio Animals Ltd and either Paul Ashmore or Nick Burchall as the mastering engineer. This is not required but is greatly appreciated.
